This article is about the 1925 poem by Langston Hughes. It embodies blues as a metaphor and form. Where the colour black stands for both the Night and the Harlem Renaissance. Even in singing the blues, he is singing about his life, about the way that he and other blacks have to deal with white society. The flow of the two lines mimics the beat of the music. The speaker is telling a story.
The stars went out and so did the moon. I imagine the musician trudging home through the dark and the quiet. Down on Lenox Avenue the other night By the pale dull pallor of an old gas light He did a lazy sway. The Blues helped these poor men forget their struggles and their pain. As his black hands touch the white keys, the accepted Western sound of the piano and the form of Western music are changed. The way he sings, in colloquialisms, thickly accented, is indicative of a member of the poor working class.
This poem is about the strong will of the lower class African Americans. That is, a case can be made in which we need not equate the speaker in the poem with Hughes at all. Review of Nothing but Love in God's Waters: Volume 1: Black Sacred Music from the Civil War to the Civil Rights Movement, by Robert Darden. His mournful voice matches his tragic words, and he seems to be living in the shadow of a deep depression. The vivid imagery and use of language gives the reader a more personal glimpse into the life of the man playing the blues. The ebony fingers that rested on the piano emblematized this nightlife of the blacks.
It appears in the collection of poetry by the same name, which was published in 1926 - not long after Hughes had moved to Harlem and immersed himself in the flourishing arts and culture scene there. The swinging of the musician may signify the powerful rhythm of this music. Rather, the piano player, by metaphorizing loneliness has already chosen self-recovery. I's gwine to quit ma frownin' And put ma troubles on the shelf. His performance clearly implies several dramatic actions.
Just play those jazzin' baby Blues for me all night and day. The piano reflects this culture of America with its big white keys and the black little ones-each set of keys is incomplete without the other. A few thumps of his foot on the floor and he begins to sing again of his sorrow that he cannot seem to escape. In minstrel shows Whites painted themselves with black faces and reinforced stereotypes for comedy. It unfolds like a flower lazily but steadily. Coming from a black man's soul.
The ebony fingers that rested on the piano emblematized the nightlife of the blacks, where the colour black stands for both the Night and the Harlem Renaissance. However, its losses are much less than its competitors. His song is about having nobody in the world — nobody but himself — and his decision to quit frowning and put his troubles on a shelf. Droning a drowsy syncopated tune, Rocking back and forth to a mellow croon, I heard a Negro play. Not only is he letting the reader know that he sings, he indicates he is American. The rocking back in forth suggests the movement of the song, giving it beat and melody, all in the first three lines.
However, all of this contradicts the topic of the song, a Black girl who was hung from a tree. Hughes embraced blues music because it expressed the worries of the common man in a simple and direct manner. While these services can be imitated, it would be very costly to do so. Copyright © 1989 by The University Press of Kentucky. Where the colour black stands for both the Night and the Harlem Renaissance. Down on Lenox Avenue the other night By the dull pale pallor of an old gas light With his ebony hands on each ivory key He made that poor piano moan with melody. The creation of art and literature would serve to empower the African Americans whose lives were affected significantly by the era of slavery and other racial discrimination.
People use literary techniques to create more dynamics by putting more emotions. Note : Langston Hughes was an African American poet and author who joined other black artists to break literary barriers during the civil rights movement. He feels dissatisfied as he feels incomplete. The song is meant to be happy, yet the story it tells is sad. They render the pain and difficulties of the African Americans and their determination to keep going. The musician oscillated to the music that mellowed to a sentimental humming croon. The Negro is sitting on an old, half broken stool.