This humanity emerges at last when the family sits together and emerges at last looking as if they had been crying. It is clear that the music has touched Gregor in a completely new way. They don't talk to each other except to fight, and they seem to care for each other only insofar as they all need to be healthy and to get enough sleep in order to work the next day. He agrees fully with his sister. Gregor, the main character and Kafka himself, experienced insecure behavior, alienation and depression in their relationships.
He has become extremely lethargic as he becomes accustomed to Gregor's financial support of the familly. Samsa is distraught over the loss of her son, but like Grete, loses attachment to his new being. And the disintegration of family life is accompanied by the disintegration of Gregor's body, starving to death amid dirt, the apple still rotting in his back. For Gregor, these symptoms had a tremendous effect on his self-concept: it led to a depressive and desolate end. When Gregor passes away, Mrs. The charwoman, annoying them by standing around, finally informs them that the corpse has been disposed of. After waking up and realizing that he has been transformed into a bug, he feels that he should still be obligated to go to work.
One day the charwoman leaves Gregor's door ajar while the lodgers are in the living room. His novella stresses many existential ideals. Samsa, Gregor 's father, is the reason that Gregor turned into a bug. At this point Gregor's sister steps forward and forcefully tells her parents that they have looked after the creature long enough and must now get rid of it. Samsa is left emotionally unavailable after his business venture failed. Samsa, and The Street was my daytime job. Gregor's dismal projection about his family's life without him is proven false; in fact, it hints that his evaluation of his importance to the family is overblown.
This is echoed on the other side by the fact that his sister doesn't bother to choose food for him or to properly clean his room. Samsa continues to be portrayed as an unfeeling, domineering authority figure who wields punishment before guilt is established. Samsa might get into the hall before them and cut them off from their leader. Samsa hears what must be Gregor in the bedroom replying to the office manager, but Mr. The family is clearly falling apart, Gregor included. Samsa and looked questioningly at the cleaning woman, although she could check everything on her own and even understand without a check. Samsa's behavior toward Gregor is brutal.
His father, Hermann Kafka, had a stern demeanor that overtook the Kafka household. Franza Kafka wrote one of his most popular books, The Metamorphosis, during the literary period and movement of existentialism. First off, we find Gregor's emergence from voyeurism to simulated family life. They all compose letters to their employers saying that they're taking the day off. Every night and her mother struggle to get the father into bed. She announces this fact to the family. Her viewpoint is as mobile and responsive to every nuance as is the constantly evolving present in a 'stream of consciousness' novel.
He has lost interest in his family. An imaginative sound track and innovative artwork combine to recreate a Kafkaesque world of alienation and guilt. This is the last attempt of human beings to maintain a true family in the face of the dehumanization they face. As their tram arrives, she is the first to jump to her feet and stretch. His novella stresses many existential ideals.
They thank God and then retreat to the parents' bedroom to grieve. Samsa again chases Gregor around the room. Having been treated with neglect, he now neglects them in return, crawling out of the room in plain view of everyone. Gregor ignores his body as well, letting himself starve to death and spending his days lying on the floor. Samsa summons them and they depart. Samsa begins as mental, but soon develops into physical as well. The family takes on three lodgers who bring their own furnishings, so everything that isn't needed is tossed into Gregor's room.
Samsa with a melancholy smile, and Grete went, not without looking back at the corpse, behind her parents into the bed room. At the moment when his family has abandoned their duty to him, he realizes that he must once again sacrifice himself for their happiness. Chapter 3: Analysis The third chapter deals primarily with the conflict between Gregor and his family as it climbs toward a climax. The parents are too busy watching the lodgers with anxiety to pay attention to Grete's playing. Samsa punishes Gregor without establishing Gregor's guilt, and assumes that Gregor has the worst of intentions. The theme in this story is that change in one character leads to positive and negative change in other characters.