It seems to me Frost is working with an infantile fantasy about breaking down the wall which marks self so as to return to a state of closeness to an Other. This is meant to show that there are no gaps. His participation in the process of rebuilding is sheer work--he never plays the outdoor game. It is a poem, furthermore, that distinguishes between two kinds of people: one who seizes the particular occasion of mending as fuel for the imagination and as a release from the dull ritual of work each spring an one who is trapped by work and by the New England past as it comes down to him in the form of his father's cliché. But a wall that separates village from village, city from city, country from country, people from people, family from family - that's a completely different scenario. Robert Frost, Punster Frost plays with everything: the ideas in his poem, the sounds of the words he chooses, and the meanings of the words themselves.
I suspect most readers are eager to ally themselves with the speaker, to consider the neighbor dim-witted, block-headed, and generally dull. . He says man makes many walls, but they all get damaged and destroyed either by nature or by the hunters who search for rabbits for their hungry dogs. This way they search for rabbits hiding under the wall to please their barking dogs. Millions are inserting their prayers into the walls of Japanese temples, while an inmate in one of a… 2085 Words 9 Pages Analysis of Mending Wall by Robert Frost Robert Frost was inspired to write Mending Wall after talking with one of his farming friend Napoleon Guay. He realizes there is no practical reason for maintaining the barriers his neighbor blindly accepts, and that the land beneath the wall is one stretch of frozen ground that heaves and dismantles the stones each winter.
One key to the poet's omission lies in the final lines of the poem. Mythology and Boulders Every spring, two farmers meet to walk the length of a stone wall, hoisting fallen stones and small boulders back into place. Copyright © 1975 by Duke University Press. I see him there, Bringing a stone grasped firmly by the top In each hand, like an old-stone savage armed. The brain of Robert Frost.
I let my neighbour know beyond the hill; And on a day we meet to walk the line And set the wall between us once again. Perhaps his skeptical questions and quips can then be read as an attempt to justify his own behavior to himself. By maintaining the division between the properties, the narrator and his neighbor are able to maintain their individuality and personal identity as farmers: one of apple trees, and one of pine trees. The speaker's sensitivity to what he sees may excite his desire for action, but he is neither capable nor desirous of didactic argument. He says that he has observed something mysterious takes place in nature which does not love the existence of walls. So even though on the surface Mending Wall by Robert Frost appears to be a simple poem about two men mending a wall, its implications lead us to very deep questions about our very existence.
The distinctive use of symbols enhances the significance and deeper meaning of the poem. The title itself suggests what the poem is all about. However, the narrator gets immensely irritated to see his neighbor firmly holding a stone and giving a look of an ancient stone-age man, who is getting armed to fight. We keep the wall between us as we go. They hold us in, they keep us back. Dharmender Kumar Dharmender is a writer by passion, and a lawyer by profession. But there is also heaps of irony here.
The very subject of the poem is derived from the observations made by Guay, during the long walks they took along their demarcated landscapes. The speaker goads the other protagonist. But once the conflict of farmer and observer has been made overt, the last section of the poem develops a contentiousness that further elucidates the differences between the two characters and reveals how little sociability there is between them. But conclusiveness can hardly be the major concern of a speaker so given to equivocations ll. In line thirty to line thirty-five, the narrator questions the purpose of a wall.
One begins the poem, the other ends it, and both are repeated twice. That is, they are doing something positive. Benna Crawford has been a journalist and New York-based writer since 1997. Frost was born in San Francisco, California in the year 1874. The larger question here is which is more important: the advantage of community or the carefully maintained separations that connect neighbors only each year and only for the process of reinforcing boundaries.
The image foreshadows the encounter between the narrator and the neighbor, who fill the gaps between them. Oh, just another kind of outdoor game, One on a side. While the belief is that barriers offer a source of protection and privacy, in this case, they are used to bring friends together. Knowing something about the sources of this rage helps me make sense out of what seem to me the oddest lines of the poem: He is all pine and I am apple orchard. He wants to nudge the neighbor's imagination, just as a teacher might wish to challenge a student.
Ironically and there is much irony in this poem , although the speaker complains about his neighbor's unfriendliness, his own susceptibility to subjective vision and his willingness to let his imagination run away with him predispose him also to prejudicial attitudes He sees the wall and its symbolism virtually overwhelms him. They are abettors of the ill-doers. International Journal of Social Sciences. The farmer is summed up by his adage, fittingly his only utterance; his reiteration of it is an appropriate ending to the poem because it completes a cyclical pattern to which the speaker has no rejoinder and from which he cannot escape. There is no play in them, for this comes after work.